Friday, September 19, 2014

Bringing Up Some Important “Pointz” About New York City’s Reputation

Being rebellious at 19 wasn't easy - at least not for me. I was in college, majoring in Creative Writing, and working part time at a paper store in the city. One of the first people I met while working at the retail store was a self-proclaimed graffiti artist. We'd hang out after work and walk all over the city, where he'd tag telephone polls, utility poles and iron beams in hundreds of train stations with simple stickers - plastered with his street name. Most of his more elaborate artwork was found in the East Village on walls near empty lots. Sometimes we'd sit in Starbucks for hours and he'd draw demonic creatures in the back of my journals, which I welcomed. I'd be honored if he'd become a famous artist some day. Unfortunately, his talent hasn't landed him a career in anything artistic – yet. However, my friend is probably fuming that all of the 'hard work' put into 5Pointz, what the Daily News called 'an internationally renowned haven for urban artists,' is being destroyed.

I don't mean to be cold to those who have marked their territory over the years on private property by spray painting their signature on surfaces for everyone to see – but no one has rights to intervene in this situation except the building owner. Okay, I get it...for some street artists, tagging their name or image somewhere is the only way to let people know they exist. For graffiti artists who haven't turned their love of drawing into something profitable, like becoming a tattoo artist, why are you all up in arms over 5Pointz – what you consider your personal canvas – being demolished? Back in the 1980s, graffiti stained the city's transit system, telephone booths and roll down gates of thousands of private stores. For some reason, this wave of artistic expression slapped the title of “most dangerous city” all over New York. Graffiti was – and still is in many communities – associated with crime, gangs and senseless acts of vandalism. When you enter a community where buildings are covered with graffiti, the reputation of the city doesn't come across as positive and you're probably not thinking, “This is a quiet and quaint place to raise a family.” Some may say that graffiti artists are showing a disrespect to their community and property owners by making their mark.

However, the owner of 5Pointz, Jerry Wolkoff, has every right to alter, demolish or reconstruct his property. Not many owners would allow artists to freely use their buildings as an open canvas. For artists to protest Wolkoff's plans based on the “Visual Artists Rights Act” doesn't seem logical.
Let's get real!! We're not preserving the next Mona Lisa!
There are a lot of underground outlets and groups for graffiti artists to express themselves. There are social networking sites like Instagram where artists can share their works and communicate. No, it's not the same as shaking that aerosol can, hearing the metal pea rattle, and then smelling the spray paint as it coats the concrete. True, Instagram and Facebook posts are not the same as having someone wonder “How the hell did they get up there to draw that?” At the same time, graffiti artists have no legal rights when it comes to where they can smear their art. Unless they get permission from a building owner to paint a mural or dedication piece, it's just downright defacing of private property. Some have told me that getting permission and being allowed to mark up a building doesn't earn an artist the same respect as when they're rebelliously tagging up any blank space they can find.
In today's society, stricter fines are imposed on “vandals” and one can even get arrested if they’re caught doing graffiti. When youths are ordered to complete community service – or youth volunteers do their part to beautify the neighborhood - graffiti removal is usually first on their list! Do those who oppose 5Pointz' demolition realize that Brooklyn has changed in the past 10 years?

While graffiti artists might be perfectly okay with defacing their own homes, Wolkoff has been more than courteous to them by allowing his property to be marred as the city moves to a cleaner and more aesthetically pleasing future.

Even after the luxury buildings go up on Wolkoff's property and he allows artists to continue using it as their canvass, who said the tenants will want to live in a graffiti-riddled building. Will the advertisements for the new living quarters include images of colorful walls with tag names all over them? What if tenants protest strangers drawing outside of a wall that's within only a few feet from their bedroom windows?

Brooklyn's reputation, as far as tourists are told, is improving and our neighborhoods are becoming more 'yuppy' than in the 1980s. If we want to attract more people and move forward with better looking communities, even the most dedicated artists have to draw their own conclusion and respect property owners no matter what. 

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